Les ingénieurs du dimanche

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Gifted by an emperor, Ethiopia’s iconic Africa Hall has been renovated for a new era
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Only 26 African countries had achieved independence when, in February 1961, Ethiopian Emperor Haile Selassie ascended a sloping staircase to inaugurate Africa Hall in Addis Ababa, which he gifted as the new headquarters for the UN Economic Commission for Africa (ECA).

A dominating presence in the heart of the Ethiopian capital, adorned with a sweeping 150-square-meter (1,614-square-foot) stained-glass window, the structure, designed by Italian architect Arturo Mezzedimi, had taken just 18 months to build. Fittingly then, it didn’t take long before the building became the site of a landmark event in the story of modern Africa.

Just over two years later, Selassie once again made the climb to welcome the founding members of the newly formed Organization of African Unity (OAU) to their home — a meeting place intended to foster cooperation, drive economic progress and eradicate colonialism across the continent.

Addressing representatives of the then-32 independent African states, Selassie declared that the continent was “at midcourse, in transition from the Africa of yesterday to the Africa of tomorrow.”

“We must act to shape and mold the future and leave our imprint on events as they slip past into history,” he continued.
More than 60 years later, Selassie’s message has come full-circle: Africa Hall has been shaped and molded anew.

Last October marked the completion of a decade-long renovation across the entirety of the 12,800 square-meter site, commissioned by the ECA in 2013 with a $57 million budget to revitalize the landmark as a world-class conference and cultural venue.

Australian design practice Architectus Conrad Gargett was entrusted with leading the re-design, giving project architect Simon Boundy a mission with dual themes — modernization and conservation.

“The two go hand-in-hand with projects like this,” Boundy told CNN, “Where you’ve got an aging asset, but if it doesn’t get used, it falls into disrepair.”

“It’s about bringing the building back to life, making it accessible to the public and celebrating the story of the building for future generations.”

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Les ingénieurs du dimanche

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